Last chance to order a posted copy of The Tallow-Wife!

Pre-orders for pickup at Conflux have now CLOSED but for ONE MORE WEEK you can still order a copy for delivery to your door anywhere in the world! This limited edition hardcover collectible is a must have for any Angela Slatter or Kathleen Jennings fan, and is both a wonderful reading experience and a gorgeous package. Availability ends FOREVER on Friday September 29, 2017.

About the book:

Return to the dreaming streets of the cathedral-city of Lodellan, where a new generation of characters face fairy tales and nightmares. Cordelia Parsifal has an enviable life, hard won, but the ghosts of the past are soon to remind her that no sin or omission goes unnoticed.

A darkly mannered narrative of a family facing its downfall, and the hidden secrets within. Deftly told in Slatter’s seemingly effortless prose, “The Tallow-Wife” is unexpected and shocking, with depths to be explored. Paired with vignettes from the same world, and featuring an essay by illustrator Kathleen Jennings.

The pretty little book is at the printer!

I have just uploaded the files for Angela Slatter’s The Tallow-Wife to my printer – always super exciting! Because it’s a hardcover production, printing times are a little longer than on paperbacks, so we’re now on the countdown to printing deadlines.

If you want to collect your copy at Conflux, for the discounted price of AUD$35.00, you absolutely MUST pre-order now! While we will have a small amount of unallocated stock at the convention, we can make no guarantees of how long they will last, so reserve your exclusive copy now (to be signed on site by the author!). I will be placing the stock order for Conflux early in September, so don’t miss out.

If you are not attending the convention (interstate or overseas), we will be dealing with those orders a bit differently, so you do have a little more time. However, the book is ONLY available during this window between now and Conflux, and will not be available for general sale, so if you want it, hit that pre-order button now!

This beautiful book contains Angela’s darkly mannered novella “The Tallow-Wife”, along with “Fragments from the Citadel”, and an exclusive essay on the art of the world by Kathleen Jennings.

 

 

Announcing a brand new Angela Slatter boutique gift book!

To celebrate her invitation as Guest of Honour at Conflux 13 (Grimm Tales), FableCroft is delighted to announce an exclusive project with multi-award winning writer Angela Slatter. Produced as a limited edition chapbook, The Tallow-Wife is a gorgeous hardcover boutique gift book, lavishly illustrated by the incredible Kathleen Jennings, and only available for purchase for a very short time.

This beautiful book contains Angela’s darkly mannered novella “The Tallow-Wife”, along with “Fragments from the Citadel”, and an exclusive essay on the art of the world by Kathleen Jennings.

Pre-order your copy now, for the special pre-order discount price of AUD$35.00 (plus postage if not collecting at Conflux)! A very limited quantity will be available to purchase at full price at Conflux, but for the next month only, until September 21, 2017, we will take pre-orders for pick up or post anywhere in the world.

(Books pre-ordered now for collection at Conflux will be signed by the author.)

 

Huge congratulations to all the Aurealis and Ditmar Awards finalists!

AA logoWe’re ecstatic to see several FableCroft mentions on the 2015 Aurealis Awards and 2016 Ditmar Awards (covering the same year of work…) shortlists.

In the Aurealis Awards, special mention to Dirk Flinthart, finalist for Best Collection for Striking Fire AND for Best Horror Novella with “Night Shift” from the collection,  Joanne Anderton, shortlisted for Best Science Fiction Short Story with “2B”, and DK Mok, shortlisted for Best Fantasy Short Story with “Almost Days” (both stories being from Insert Title Here). It’s also super exciting to see Focus 2014: highlights of Australian short fiction on the Best Anthology list.

The complete shortlists are available on the Aurealis Awards website, and showcase some of the absolute best of Australian writing produced in 2015 – such an honour to be part of it!

For the Ditmars, it’s fantastic to see Joanne Anderton double up with “2B” on the Best Short Story ballot, alongside Deborah Biancotti’s creepy Cranky Ladies of History story “Look How Cold My Hands Are”. The Cranky Ladies anthology also made the Best Collected Work ballot, and Kathleen Jennings’ gorgeous cover and internals for the book are shortlisted for Best Artwork. Editor Tehani Wessely is also on the ballot for the William Atheling Jr Award for Criticism or Review for both the team efforts of “Squeeing Over Supergirl” (with David McDonald) and “Reviewing New Who” (with David McDonald and Tansy Rayner Roberts). If you were a member of Swancon last year, or of Contact 2016 this year, you are eligible to vote, so please do (for ANY of the fabulous work shortlisted!).

Congratulations to everyone appearing on these shortlists – it really shows the strength of Australian speculative fiction.

Cranky Ladies of History – cover!

We are very fortunate to have had Kathleen Jennings create a stunning art piece for the cover of Cranky Ladies of History. Although Jim Hines did his best to inspire her at Continuum earlier this year (pictured here posing, with Kathleen looking on), she’s gone in a somewhat different direction. Sorry Jim!

JimCHinesCoverPosefix

While Amanda Rainey, our wonderful designer, will have things to add to make it even more special (and we still haven’t confirmed the colour yet), we can share the art itself now!

 

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Happy holidays to all our readers and wishing you a peaceful and prosperous 2015!

It’s Year’s Best time!

It’s that time of year when it seems a bunch of Year’s Best anthologies are announced, and we’re so pleased to see a number of our 2013-published stories recognised.

Focus2013-CoverOur own Focus 2013, which collects award-recognised Australian stories, features DK Mok’s “Morning Star” (One Small Step, an anthology of discoveries) and Joanne Anderton’s “Mah Song” (The Bone Chime Song and Other Stories).

Joanne Anderton’s story “Mah Song” will also appear in the inaugural Year’s Best YA Speculative Fiction from Twelfth Planet Press, which has an astonishing international lineup, and Rowena Cory Daniells’ “The Ways of the Wyrding Women” (One Small Step) has made the table of contents for Ticonderoga’s Year’s Best Australian Fantasy and Horror.

“By Blood and Incantation” (One Small Step) by Lisa Hannett and Angela Slatter received honorable mentions in two anthologies, Imaginarium 3: The Best Canadian Speculative Writing and Ellen Datlow’s, with Datlow also highlighting Kathleen Jennings’ “Ella and the Flame” (One Small Step), “Sand and Seawater” by Joanne Anderton and Rabia Gale (One Small Step), and Joanne’s “Mah Song” and “Fencelines” from The Bone Chime Song and Other Stories. 

 

New release – FOCUS 2013: highlights of Australian short fiction

Focus2013-CoverFocus 2013: highlights of Australian short fiction hits the virtual shelves on October 1, 2014. The second of an annual series, Focus 2013 collects an elite selection of work which has received acclaim via national and international Awards shortlisting.

Focus 2013: highlights of Australian short fiction features work by…

D.K. Mok – “Morning Star”

Juliet Marillier – “By Bone-Light”

Joanne Anderton – “Mah Song”

Thoraiya Dyer – “Seven Days in Paris”

Tansy Rayner Roberts – “Cold White Daughter”

C.S. McMullen – “The Nest”

Cat Sparks – “Scarp”

Kaaron Warren – “Air, Water and the Grove”

Kirstyn McDermott – “The Home for Broken Dolls”

Kathleen Jennings – Illustrations and cover art

The book is officially on sale on October 1, and is currently available for pre-order at Amazon, Kobo and Smashwords for US$4.99.

Winners! FakeCon Photo Competition

A couple of weeks ago we had some fun with the #FakeCon hashtag, which helped console us poor sods left behind while everyone else had fun at Worldcon in London. As part of that, we invited people to share their “FakeCon Photos”, and we have some winners to reward! Please email me at fablecroft@gmail.com to let me know which of our FableCroft ebooks you would like as your prize!

Let us know in the comments which #FakeConPhoto is your favourite!

Firstly, obviously Kathleen Jennings, who really started the ball rolling. She sketched some lovely funny pieces for #FakeCon, and we particularly enjoyed the meerkat concom 🙂

MeerkatConCom

 

Meerkats

FakeCon HugoBase DragonJennings

 

Next we chose Steph Bateman-Graham’s amazing Unicorn Hair for Masquerade – because that sort of hair takes COMMITMENT!

UnicornHair

Meerkats became a theme of #FakeCon, and we thought Melina’s slightly embarrassed pair were just too cute!

MeerkatsEmbarrassed

And then we had some unusual fan pairings, with “Thoraiya” and Alex at the Hugo Losers panel and Andy Wrathall’s SpongeBob Squarepants caper!

Thoraiya Spongebob

Cover teasing

This is me, teasing you with snippets of the gorgeous covers we have coming up for Insert Title Here and Phantazein. Full cover reveals soon!

ITH snip1
Design by Amanda Rainey

Design by Amanda Rainey
Design by Amanda Rainey

Art by Kathleen Jennings
Art by Kathleen Jennings

Phantazein Unicorn
Art by Kathleen Jennings

Ditmar shortlistings!

The annual Ditmar Awards shortlists were announced a few days ago, and we’re absolutely over the moon to have several works feature in various categories, alongside lots of other excellent Australian stuff! To celebrate, we’re offering up some free fiction, including our two shortlisted short stories, samples of Faith Mudge’s wonderful work, and an extract from Tansy Rayner Roberts’ Ink Black Magic. We’ve also linked to Kathleen Jennings’ Illustration Friday posts, as one of her pieces was on the cover of Focus 2012 (and we think she’s awesome…). Click on the highlighted links below to download the samples!

InkBlackMagicsmBest Novel

  • Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
  • Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
  • The Beckoning, Paul Collins (Damnation Books)
  • Trucksong, Andrew Macrae (Twelfth Planet Press)
  • The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

  • “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
  • “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
  • “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

OneSmallStepCoverdraftBest Short Story

  • Mah-Song, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
  • “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
  • “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
  • “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
  • “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
  • “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

BoneChimeCoverDraftBest Collected Work

  • The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
  • Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
  • The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
  • The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

  • Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
  • Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
  • Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
  • Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

  • Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
  • Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
  • Grant Watson, for body of work, including reviews in The Angriest
  • Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
  • Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
  • Tansy Rayner Roberts, for body of work, including essays and reviews at http://www.tansyrr.com

Best Fan Artist

  • Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
  • Kathleen Jennings, for body of work, including “Illustration Friday”
  • Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

  • Dark Matter Zine, Nalini Haynes
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
  • The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
  • Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

  • Michelle Goldsmith
  • Zena Shapter
  • Faith Mudge
  • Jo Spurrier
  • Stacey Larner

William Atheling Jr Award for Criticism or Review

  • Reviews in Randomly Yours, Alex, Alexandra Pierce
  • “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
  • Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
  • “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

Voting is now open for the Awards, for anyone who is a member of the 2013 Natcon (Conflux) or this year’s Natcon (Continuum X). Thank you so much to everyone who nominated our work!