Year’s Best Australian Fantasy and Horror reprints

We would like to congratulate all our authors whose works will appear in the 2012 Year’s Best Australian Fantasy and Horror (from Ticonderoga Publications, July 2013). In particular, three stories first published by FableCroft will be reprinted! Well done to Thoraiya Dyer (“Sleeping Beauty” from Epilogue), Faith Mudge (“Oracle’s Tower” from To Spin a Darker Stair) and Tansy Rayner Roberts (“What Books Survive” from Epilogue). Lovely news!

Speaking of news, we’ve started a new page on this website called “FableCroft Books in Review“, where we link to online reviews of our books – check it out to see what reviewers have been saying about us!

More awards niceness

We already posted about our appearance on the Ditmar Awards ballot (don’t forget to vote for your favourite works, if you’re eligible to). Today the Chronos Awards ballot has been announced and we’re delighted to have more works on there too! The Chronos Awards are for Victorian creators, and there are some fantastic works on the ballot. If you are a full or supporting member of Continuum, you are eligible to vote, or voting memberships may also be purchased (details here). Congratulations to everyone on the ballot!

Best Long Fiction

Bread and Circuses by Felicity Dowker (Ticonderoga Publications)

Salvage by Jason Nahrung (Twelfth Planet Press)

Walking Shadows by Narrelle M. Harris (Clan Destine Press)

Year’s Best Australian Fantasy & Horror 2011 edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)

Dyson’s Drop by Paul Collins (Ford Street Publishing)

No Award

Best Short Fiction

“Five Ways to Start a War” by Sue Bursztynski in Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)

“The Mornington Ride” by Jason Nahrung in Epilogue, edited by Tehani Wessely (FableCroft Publishing)

“Nematalien” by LynC in The Narratorium, edited by David Grigg

“Fireflies” by Steve Cameron in Epilogue (FableCroft Publishing)

“The D_d” by Adam Browne in Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)

No Award

Best Fan Writer

Alexandra Pierce

Jason Nahrung

Nalini Haynes

Bruce Gillespie

Grant Watson

Steve Cameron

No Award

Best Fan Written Work

Reviewing New Who series by David McDonald, Tansy Rayner Roberts and Tehani Wessely

No Award

Best Fan Artist

Dick Jenssen

No Award

Best Fan Artwork

“The Entellechy” by Dick Jenssen, cover art for Interstellar Ramjet Scoop for ANZAPA 267 edited by Bill Wright

No Award

Best Fan Publication

Dark Matter Fanzine (www.darkmatterfanzine.com), by Nalini Hayes

SF Commentary, (http://efanzines.com/SFC/) edited by Bruce Gillespie

Viewing Clutter, DVD and Blu-ray reviews blog (http://georgeivanoff.com.au/other-writing/reviews/viewing-clutter/), by George Ivanoff

No Award

Best Achievement

Continuum 8: Craftonomicon (51st Australian National SF Convention) Program by Julia Svaganovic, Emma Hespa Mann, and Caitlin Noble

“Snapshot 2012″ by Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung, Alex Pierce, Tansy Rayner Roberts, Tehani Wessely and Sean Wright

No Award

Best Artwork

The award for Best Artwork is not being presented due to insufficient nominations being received.

So you’ve written a book… What now?

Screen shot 2013-04-13 at 8.43.51 PMToday I presented for CBCA Tasmania on the topic of publishing. It was a well attended session and I thoroughly enjoyed both the preparation of the presentation and the talk itself. I spoke for nearly an hour and a half (thankfully there were questions too!) and was followed by Nella talking about the nuts and bolts (things like ISBNs, CiP application, legal deposit and so on) and Richard, who gave a brief overview on copyright for authors. My part focussed on the various options authors have for getting published, focussing on traditional, boutique and self-publishing routes. My presentation is made available to download here, for the purposes of the participants, but I don’t mind who else reads it (and it is licensed under Creative Commons, so you are welcome to use it under the licence conditions).

Obviously I spoke a lot more than what is contained on the presentation but you get the gist.

I didn’t really talk a lot about the specifics of marketing your book (whether you self-publish or not, you still need to market!) but did mention that it’s always useful to have ephemera such as bookmarks or postcards to pass out to potential readers and that Vistaprint has been having some excellent deals (you have to be patient and wait for free upload combined with discounts/freebies for the best bargains, but these do happen!). It also occurred to me that I might have spoken in more detail about social networking, but I think that’s a whole other session!

Thanks to all the participants who seemed to find the information useful, and particularly to Nella, both for inviting me and for practising her grandma skills so successfully with the baby I had in tow!

ETA: A couple more useful links that are relevant!

10 ways self publishing has changed the world

A contractual obligation (looking at contracts and what you are signing)

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License.

Awards and Reviews!

Screen shot 2013-03-27 at 1.51.52 PMAs we look ahead to the launch of The Bone Chime Song and Other Stories and One Small Step with Publishers Weekly reviews of both, we also get to look back at the year that was, with a Awards ballots!

The Ditmars have been kind to FableCroft and our authors, and I’m also chuffed to be on the ballot for fan works too! If you were a member of last year’s Natcon in Melbourne, or this year’s in Canberra, you can (and SHOULD!) vote! Congratulations to everyone who is on the ballot – look forward to the announcements at Conflux!

The 2013 ballot is as follows:

Best Novel
————————————————————————
* Sea Hearts, Margo Lanagan (Allen & Unwin)
* Bitter Greens, Kate Forsyth (Random House Australia)
* Suited (The Veiled Worlds 2), Jo Anderton (Angry Robot)
* Salvage, Jason Nahrung (Twelfth Planet Press)
* Perfections, Kirstyn McDermott (Xoum)
* The Corpse-Rat King, Lee Battersby (Angry Robot)

Best Novella or Novelette
————————————————————————
* “Flight 404”, Simon Petrie, in Flight 404/The Hunt for Red Leicester (Peggy Bright Books)
* “Significant Dust”, Margo Lanagan, in Cracklescape (Twelfth Planet Press)
* “Sky”, Kaaron Warren, in Through Splintered Walls (Twelfth Planet Press)

Best Short Story
————————————————————————
* “Sanaa’s Army”, Joanne Anderton, in Bloodstones (Ticonderoga Publications)
* “The Wisdom of Ants”, Thoraiya Dyer, in Clarkesworld 75
* “The Bone Chime Song”, Joanne Anderton, in Light Touch Paper Stand Clear (Peggy Bright Books)
* “Oracle’s Tower”, Faith Mudge, in To Spin a Darker Stair (FableCroft Publishing)

Best Collected Work
————————————————————————
* Cracklescape by Margo Lanagan, edited by Alisa Krasnostein (Twelfth Planet Press)
* Epilogue, edited by Tehani Wessely (FableCroft Publishing)
* Through Splintered Walls by Kaaron Warren, edited by Alisa Krasnostein (Twelfth Planet Press)
* Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)
* Midnight and Moonshine by Lisa L. Hannett and Angela Slatter, edited by Russell B. Farr (Ticonderoga Publications)
* The Year’s Best Australian Fantasy and Horror 2011, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)

Best Artwork
————————————————————————
* Cover art, Nick Stathopoulos, for Andromeda Spaceways Inflight Magazine 56 (ASIM Collective)
* Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga Publications)
* Illustrations, Adam Browne, for Pyrotechnicon (Coeur de Lion Publishing)
* Cover art and illustrations, Kathleen Jennings, for To Spin a Darker Stair (FableCroft Publishing)
* Cover art, Les Petersen, for Light Touch Paper Stand Clear (Peggy Bright Books)

Best Fan Writer
————————————————————————
* Alex Pierce, for body of work including reviews in Australian Speculative Fiction in Focus
* Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
* Grant Watson, for body of work including the “Who50” series in The Angriest
* Sean Wright, for body of work including reviews in Adventures of a Bookonaut

Best Fan Artist
————————————————————————
* Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”

Best Fan Publication in Any Medium
————————————————————————
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Suburbia, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce
* Antipodean SF, Ion Newcombe
* The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
* Snapshot 2012, Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung et. al.  (et. al. would include me! And Alex Pierce and Sean Wright and Tansy Rayner Roberts)
* Australian Speculative Fiction in Focus, Alisa Krasnostein, Tehani Wessely, et. al.
* Galactic Chat, Alisa Krasnostein, Tansy Rayner Roberts, and Sean Wright

Best New Talent
————————————————————————
* David McDonald
* Faith Mudge
* Steve Cameron
* Stacey Larner

William Atheling Jr Award for Criticism or Review
————————————————————————
* Alisa Krasnostein, Kathryn Linge, David McDonald, and Tehani Wessely, for review of Mira Grant’s Newsflesh, in ASIF
* Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.”, in tor.com
* David McDonald, Tansy Rayner Roberts, and Tehani Wessely, for the “New Who in Conversation” series
* Liz Grzyb and Talie Helene, for “The Year in Review”, in The Year’s Best Australian Fantasy and Horror 2011
* Rjurik Davidson, for “An Illusion in the Game for Survival”, a review of Reamde by Neal Stephenson, in The Age

FableCroft Awards Eligibility (2012 for 2013 Awards)

Tin Ducks (WA) – open for entry now

Best Professional Short Written Work

“Solitary” by Dave Luckett (Epilogue)

“The last good town” by Elizabeth Tan (Epilogue)

“Ghosts” by Stephanie Gunn (Epilogue)

“Time and tide” by Lyn Battersby (Epilogue)

Epilogue-CoverBest Professional Artwork

Cover of Epilogue by Amanda Rainey

Best Fan Production

Australian Speculative Fiction in Focus review site (curated by Alisa Krasnostein, Tehani Wessely et al)

Snapshot 2012 (Kathryn Linge, Alisa Krasnostein, Helen Merrick, David McDonald, Ian Mond, Jason Nahrung, Alex Pierce, Tansy Rayner Roberts, Tehani Wessely and Sean Wright).

Chronos Awards (Vic) – open for entry now

Best Short Fiction

“Fireflies” by Steve Cameron (Epilogue)

“Cold Comfort” by David McDonald (Epilogue)

“The Mornington Ride” by Jason Nahrung (Epilogue)

Achievement

Snapshot 2012 (David McDonald, Ian Mond, Jason Nahrung, Alex Pierce, Kathryn Linge, Alisa Krasnostein, Helen Merrick,  Tansy Rayner Roberts, Tehani Wessely and Sean Wright).

Ditmar Awards (National)

Best Novella or Novelette

“The last good town” by Elizabeth Tan (Epilogue) – novelette

“The Fletcher Test” Dirk Flinthart (Epilogue) – novelette

“Time and tide” by Lyn Battersby (Epilogue) – novelette

“Cold comfort” by David McDonald (Epilogue) – novelette

Best Short Story

“Oracle’s Tower” by Faith Mudge (To Spin a Darker Stair)

“Solitary” by Dave Luckett (Epilogue)

“A memory trapped in light” by Joanne Anderton (Epilogue)

“Sleeping Beauty” by Thoraiya Dyer (Epilogue)

“Ghosts” by Stephanie Gunn (Epilogue)

“The Mornington Ride” by Jason Nahrung (Epilogue)

“Fireflies” by Steve Cameron (Epilogue)

“What books survive” by Tansy Rayner Roberts (Epilogue)

Best Collected Work

Epilogue edited by Tehani Wessely

To Spin a Darker Stair edited by Tehani Wessely

TsaDScoverBest Professional Artwork

Cover art & illustrations for To Spin a Darker Stair by Kathleen Jennings

Cover design of Epilogue by Amanda Rainey

Best Fan Writer

Tehani Wessely (for body of work, including reviews on ASif!)

Best Fan Publication in Any Medium

Australian Speculative Fiction in Focus review site (curated by Alisa Krasnostein, Tehani Wessely et al)

Snapshot 2012 (Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung, Alex Pierce, Tansy Rayner Roberts, Tehani Wessely and Sean Wright).

William Atheling Jr Award for Criticism or Review

Alisa Krasnostein, Kathryn Linge, David McDonald and Tehani Wessely, for review of the Newsflesh series by Mira Grant, at Australian Speculative Fiction in Focus.

David McDonald, Tansy Rayner Roberts and Tehani Wessely for the New Who in Conversation series

Hugos (International) – open for entry now

All of the above basically, plus:

Best Short Story

“Sleepers” by Kaia Landelius (Epilogue)

Best Professional Artist

Kathleen Jennings (she would also be eligible for Best Fan Artist, particularly for “The Dalek Game”)

Best Fan Writer

Tansy Rayner Roberts

John W Campbell Award for Best New Writer

Joanne Anderton (2nd year of eligibility)(seems Jo isn’t eligible, though the “pro” part of the rules seems a bit harsh!)

 

Guest Blog: Rabia Gale

FableCroft welcomes author Rabia Gale to the blog! I discovered Rabia’s amazing writing via a recommendation from Joanne Anderton, and have since devoured as much of her work as I can get my hands on. Rabia breaks fairy tales and fuses fantasy and science fiction. She loves to write about flawed heroes who never give up, transformation and redemption, and things from outer space. Rabia grew up in Karachi, Pakistan and now lives in Northern Virginia. Visit her online at http://www.rabiagale.com. See the end of the post for a teaser from Rabia’s latest work, Rainbird, (which I’ll be reviewing soon!).

Today, Rabia shares her thoughts on balancing family with writing, something which resonates with me strongly.

Balancing Act: On Raising Both a Family and a Writing Career

Juggling parenting, homeschooling, writing, and publishing is a tricky act—and one that often involves dropped balls, shattered plates, and knives falling all over the place. I can’t claim to be an expert at this, and it doesn’t help that as soon as I have one stage figured out, I’m confronted by something new and unexpected. (I can see the parents out there nodding their heads!)

However, a few attitude adjustments have made it possible for me to fit writing and family life together.

Everything comes in seasons. 

I might actually be able to have it all–only not at the same time. Raising my children is my top priority at this season of life. However, in fourteen years they’ll all be adults. I’ll be able channel more of my time and energy into writing and publishing then. Right now, I’m content to fit it into an hour or two a day.

There are also cycles in the shorter-term. There are weeks that I’m going to be busy with family activities, and weeks when I have to put more hours into my writing to meet deadlines. There are days I have to devote to housecleaning, and days that I set aside to deal with administrivia. Understanding these cycles keeps me from getting agitated or down on myself for not being productive in all areas every single day.

My routines are flexible

I always get a lot more writing done during the school year than in the summer because we have a routine. I know when we’re doing math and when we’re studying history, when the kids have gymnastics or taekwondo, what we’re having for dinner, and when I can write. Routines prepare my brain for each activity as it comes up, and free me from having to constantly make decisions about what I’m going to do next.

But we all know that Life Happens. So routines have to be flexible. As I write this, Hurricane Sandy is barreling up the east coast of the United States. Today I took stock of the pantry, filled up bottles (and bathtub) with water, did laundry, and mentally prepared myself for the storm.

I haven’t done a lick of fiction writing. But that’s okay. I know I’ll come back to it.

I’m going for the slow build

I want writing fiction to be my fulltime career when my children leave home.

But I’m laying the groundwork for that now.

Earlier this year, I self-published a collection of short stories. I followed that up with another collection, a short story, and a novella. I plan to release more work at a steady rate that fits my current lifestyle. I’m also submitting short stories to anthologies and ’zines.

I don’t expect to make a living wage from writing anytime soon. Instead, I’m working on developing good habits, learning from my mistakes, improving my craft, creating relationships with other people in the industry, and building my readership and my backlist.

I’m focusing on shorter formats

Before this year, I would have told you that I was a novelist to the core. Short stories were only flings; novels were my serious passion. As my life has gotten busier, shorter fiction has become more appealing to me as a reader. This has made me more receptive to writing it.

I’ve especially come to love the novella form. In a print-based world, novellas didn’t make much sense — too slim to stand alone on a bookstore shelf, too long to be part of an anthology (unless written by a Big Name). Now, because of digital publishing, we’re seeing a resurgence of the novella form, which is great for me.

Novellas allow me to develop my characters, setting, and plot while writing fewer words in less time. Much as I’d love to write an epic urban gothic science fantasy with wide-ranging scope, multiple points-of-views and encompassing several volumes, that’s my Someday Project. Considering my limited time right now, short stories, novellas, and short novels make more sense for me.

Thanks, Tehani, for having me as your guest!

Rainbird Blurb

She’s a halfbreed in hiding.

Rainbird never belonged. To one race, she’s chattel. To the other, she’s an abomination that should never have existed.

She lives on the sunway.

High above the ground, Rainbird is safe, as long as she does her job, keeps her head down, and never ever draws attention to herself.

But one act of sabotage is about to change everything.

For Rainbird. And for her world.

Rainbird is a fantasy novella of about 31,000 words.

Now available at Amazon US | Amazon UK | Barnes & Noble | Smashwords

Excerpts at Rabia’s site

 

April Winners!

Yes, it is July – it’s been a busy couple of months! Regular readers will remember that in April, we had a bonus offer for two lucky purchasers to win a copy of two great books I had surplus (new, unread!). I finally got around to using the Random Number Generator to get those winners!

Congratulations to

Suzanne Willis
and
Lara Hopkins

Suzanne was the first name drawn, and will have first choice of either A Confusion of Princes by Garth Nix or The Shattering by Karen Healey (Lara will receive the book Suzanne doesn’t choose).

Thanks to everyone who purchased a FableCroft book in April! And my apologies it took so long for me to draw the winners 🙂