New Release: Path of Night by Dirk Flinthart

We quietly snuck this one out in ebook last week, but with the print version finally showing up at Amazon (and other retailers to follow soon – ask for it at your local bookstore!), we would like to formally welcome to the world Path of Night by Dirk Flinthart!

PathofNightCoverMichael Devlin is the first of a new breed. The way things are going, he may also be the last.

Being infected with an unknown disease is bad. Waking up on a slab in a morgue wearing nothing but a toe-tag is worse, even if it comes with a strange array of new abilities.

Medical student Michael Devlin is in trouble. With his flatmates murdered and an international cabal of legendary man-monsters on his trail, Devlin’s got nowhere to hide. His only allies are a hot-tempered Sydney cop and a mysterious monster-hunter who may be setting Devlin up for the kill. If he’s going to survive, Devlin will have to embrace his new powers and confront his hunters. But can he hold onto his humanity when he walks the Path of Night?

Path of Night is the first of the Night Beast series – we anticipate book 2 will see release in mid-2014.

The first reviews are already starting to come in, with this lovely gem on Amazon:

…action driven, laced with humor…I am hoping that there will be a sequel. –Roger Ross

About the author…

Flinthart Author Photo
Author photo by Joffre Street Productions

Dirk Flinthart is an Australian writer of speculative fiction who lives in northern Tasmania. Notable to date mostly for short stories, he is also the editor of the Canterbury 2100 anthology, (originally published by AGOG! press, re-released in ebook form in 2013 by FableCroft), and has the distinction of sharing a Ditmar award with Margo Lanagan, which he is quite proud of.

Path of Night represents Flinthart’s longest published work to date, and is planned as the first in a series of stories centering around Michael Devlin. The next one is well under way…

We’ve got three copies to give away (internationally) over on Goodreads, or get your copy from your favourite ebook-seller or print retailer!

Goodreads Book Giveaway

Path of night by Dirk Flinthart

Path of night

by Dirk Flinthart

Giveaway ends November 15, 2013.

See the giveaway details
at Goodreads.

Enter to win

 

Supporting diversity in Young Adult fiction

newtppkaleidoscope-300x196As a secondary school teacher librarian by trade, and a passionate lover of YA fiction by heart, I am frequently asked by other library staff and readers for recommendations of young adult fiction that features protagonists who are not necessarily white, straight or able-bodied. So many of our students and reading clientele experience life through a lens that is different to what the majority of YA fiction presents as “normal”, and it’s just heartbreaking to have so little to offer with a protagonist outside of this range.

I read extensively. I have judged for several Australian awards, both within the speculative fiction field and the general Young Adult and Children’s area. It’s far too rarely I come across a protagonist who is disabled, or queer, or mentally ill, or simply not from a white European background, and I even more impressed when the aspect of “difference” (such as it may be) is not THE plot of the book, but rather is simply an aspect of the character.

It’s possible publishing is improving in this area. We do see more lesbian and gay and other non-straight, non-cis gendered characters in our YA fiction, though more frequently as the “best friend” or other secondary role than the protagonist. We are coming across more inclusion of disability (physical and intellectual) or mental illness in stories, though again, less frequently as the main character. Love it or hate it, television shows such as Glee demonstrate to market forces that non-straight, non-white, non-able bodied characters don’t negatively impact on the popularity of a franchise. And the more books like Eon (Alison Goodman), Pantomime (Laura Lam), Guardian of the Dead and The Shattering (Karen Healey), Nightsiders (Sue Isle),  Hunger (Jackie Morse Kessler), The Interrogation of Ashala Wolf (Ambelin Kwaymullina), Ash (and others, Malindo Lo), Liar (Justine Larbalestier), and Akata Witch (Nnedi Okorafor) that are published and sell well, the more chance there is of more books featuring protagonists other than those who are straight, white able-bodied and mentally well.

And here is a project that aims to do just that. Kaleidoscope is an anthology of diverse contemporary YA fantasy stories. Alisa Krasnostein and Julia Rios are co-editing the anthology, which has a planned release date of August, 2014. Right now, Alisa and Julia are running a Pozible fundraising campaign to make the project happen. If you want to see more diversity in YOUR Young Adult fantasy and science fiction, I recommend it to you.

Random(ish) Links

Realised I started this post some months ago but somehow forgot to finish it! A few random links that are pertinent to our interests 🙂

Kathleen Jennings shares some sketches related to her wonderful story in One Small Step, “Ella and the Flame”.

Zena Shapter interviews editor Tehani Wessely about the editing process.

Joanne Anderton talks about the story behind The Bone Chime Song and Other Stories at Upcoming4Me.

Awards news!

Epilogue-CoverIn addition to the fantastic news that Kathleen Jennings is on the World Fantasy Awards ballot for Best Artist (see our special offer for To Spin a Darker Stair here – just $5!), over the weekend the Washington Science Fiction Association’s Small Press Award shortlist was announced, and we’re VERY excited to see Jason Nahrung’s Epilogue story “The Mornington Ride” on it! This story won the Victorian Chronos Award for Best Short Story earlier in the year, and we’re just delighted to see it recognised on an international ballot.

The WSFA Small Press Award is perhaps my favourite award, because not only does it recognise the very best of small press around the world, but the process by which the shortlist and winner are decided is very special. Stories are read “blind” by a panel (meaning the author and publication details are unknown) who select the shortlist. The shortlist is then read by the members of WSFA (again, completely blind), and the winner voted on. Which means the stories are judged completely on merit – marvellous!

Huge congratulations to Jason for making such a prestigious shortlist and fingers crossed for the announcement of the winner!

Want to read the story? Print stock of Epilogue is almost sold out (get your copy here while you can!), but the ebook is available from Kindle, Kobo, Wizard’s Tower and Weightless Books!

New reviews and more guest posts

OneSmallStepCoverdraftA few days ago, DK Mok (whose excellent story “Morning Star” closes out the One Small Step anthology), wrote a guest post for SF Signal. We have such knowledgeable and talented authors here at FableCroft! DK’s post looks at humour in fantasy, and why it is so tricky to do well but why it’s good to do!

Humour can be a tough sell. It might take a reader several chapters to realise that a dramatic novel isn’t to their taste, but in a light-hearted novel, the first pun can be a dealbreaker. It’s the exquisitely subjective nature of humour that makes it such a tricky element to handle. A reader who loves Hogfather might loathe Red Dwarf. Someone might find Douglas Adams thigh-slappingly hilarious, but Piers Anthony leaves them cringing. Reading a mediocre drama might be boring, but reading a mediocre comedy can be excruciating.

In other news, Dave Versace gave One Small Step a great review on Goodreads – among other things, he says: Smart, heartfelt and a little bit otherworldly. Thanks Dave!

World Fantasy Awards shortlists and a SPECIAL OFFER!

TsaDScoverWe were very excited this week to see the World Fantasy Awards shortlists come out with SEVERAL Aussies featuring, including our own Kathleen Jennings for Best Artist! Congratulations to all the nominees, particularly Kaaron Warren, for her Twelfth Planet Press awards blitzer “Sky”, Anna Tambour for her novel Crandolin, editor Jonathan Strahan for Under My Hat, and of course Kathleen.

To celebrate, we’re running a special offer on To Spin a Darker Stair, which features Kathleen’s gorgeous artwork both as the cover and internally. Published in 2012, To Spin a Darker Stair contains two beautiful stories by Catherynne M Valente and Faith Mudge – it’s a lovely gift book and the art is a great example of Kathleen’s justifiably recognised talent!

Offer is limited to stock on hand, or until the awards are announced (OFFER ENDED 3 November 2013), whichever comes first! Postage worldwide included in the special price of AUD$5.00!

Thoraiya Dyer guest posts at SF Signal!

Thoraiya is the only author to appear in every one of FableCroft’s anthologies, and I had the privilege of publishing her very first story with Andromeda Spaceways, and another early one in New Ceres Nights. You might say I like her work 🙂 Thoraiya has guest blogged at SF Signal on the topic of “Animals in Fantasy” – as a vet, she knows what she’s on about, and it’s an interesting topic!

From the post:

Prevailing wisdom is that fantastic secondary worlds are generic when they contain ravens, horses and hounds, but as soon as you insert a kangaroo, you jolt the reader out of their suspension of disbelief and rudely bring them crashing back to reality.

Read more at SF Signal!

Faith Mudge on Feminism in Fairytales

TsaDScoverA little while ago, FableCroft author Faith Mudge guest posted at SF Signal on the topic “Feminism in Fairytales”. Faith’s excellent story “Oracle’s Tower” (in To Spin a Darker Stair) is a very clever reworking of a traditional tale, and her beautiful piece in One Small Step also subverts fairytale tropes. Faith blogs frequently on fairytales at her own blog, and she really knows her stuff! From the article:

I don’t know if anyone else noticed, but I’m pretty sure 2012 was the Year of the Fairy Tale. There wasn’t an official announcement or anything, but the nod was clearly given in secret circles and the retellings spread outwards like ripples on the waters of speculative fiction. Novels such as Kate Forsyth’s Bitter Greens, Sophie Masson’s Moonlight and Ashes and Marissa Meyer’s Cinder were released, there were big movie adaptations Mirror Mirror and Snow White and the Huntsman, there was even a TV series. Hell, there were two TV series! I’m a fiend for fairy tales; I was in paradise. And I was seriously impressed by the ingenuity of all these storytellers for finding something new to say about stories that have been retold over so many years.

But there was also a bitter aftertaste that’s been bothering me for some time. It was so subtle, and so pervasive, that it is difficult to pin down when exactly I first noticed it – in the reviews? The promotional interviews? The posts I read afterwards? What I noticed was this: that when people spoke about a fairy tale adaptation, the assumption was that it would be better than the original. Specifically, that the women would be better.

I highly recommend the post to you, if you’re at all interested in the resurgence of fairytale retellings in all media, and particularly the portrayal of women in these.