Young Adult, all grown up

Image from http://jinleephd.com/2013/06/29/23-why-should-you-write-young-adult-literature/
Image from http://jinleephd.com/2013/06/29/23-why-should-you-write-young-adult-literature/

At Continuum X on the June long weekend, I had the privilege of moderating a panel called “YA: all grown up”, which featured Guest of Honour Ambelin Kwaymullina, and other YA writers Amie Kaufman, Leonie Rogers and Sue Bursztynski as panellists. We had a chat by email beforehand, so kind of knew the sort of things we wanted to talk about, but of course, you never know where the conversation will go. With such intelligent and well-read panellists, it went all sorts of great places!

We talked about why YA was both important and popular, with readers of all ages, with the panel suggesting that YA is important because “the young matter more” (Ambelin), and that it’s popular for reasons such as the fact it share qualities with genre fiction, the writing is pared back, and YA stories tend to be more diverse that adult-oriented fiction. The reasons why our panellists wrote YA were discussed, and we challenged the idea that YA was “easier” than adult fiction, to write or read, although it’s often shorter and more to-the-point!

Recommendations from the panel for quality YA:

Tehani said (though it would change on any given day) that top reads for her are: Laini Taylor (the Daughter of Smoke and Bone series), Liar by Justine Larbalestier and recommends Awards lists such as the Aurealis Awards, CBCA Older Readers, Inky Awards and various Premier’s literary awards.

Amie suggests Shadow and Bone by Leigh Bardugo and Legend by Marie Liu.

Ambelin says to pick what you love and don’t worry about where it comes from in the bookstore. Read something you wouldn’t normally read – diverse and different perspective and challenge you and make you smarter.

Sue recommends anything by Melina Marchetta and Michael Pryor’s Laws of Magic series.

Leonie seconds Ambelin’s words, and adds Terry Pratchett’s The Wee Free MenBrandon Sanderson’s Rithmatist books, and Bonnie’s story, a blonde’s guide to mathematics by Janis Hill.

I’d like to thank the panellists for being so darn awesome and smart, and for making the hour-long discussion absolutely fly by!

Please note that the notes I took were definitely on the run, and my memory is always suspect. Hopefully I’ve not misrepresented or misremembered anything here – I welcome comments from audience members and the panellists if I’ve got it wrong or missed anything super important!

FableCroft out in the world

It’s been a busy time here at FableCroft, and I feel like a duck or an iceberg or something right now. Frantically paddling to keep serenely floating, with so much going on under the surface that you can’t see! However, there are a few things out in the world I wanted to share!

BoneChimeCoverDraftJo Anderton was interviewed by the AntipodeanSF podcast after winning Best Collection at the Aurealis Awards in April, and the interview went live a couple of weeks ago. Check it out here. Oh, and Jo also won the Australian Shadows award for Best Collection last week! HUGE congratulations!

Suzanne J Willis’s story “Number 73 Glad Avenue” has been reprinted not once but TWICE now! The story became our second to hit the airwaves on the Starship Sofa podcast in April (the first was Michelle Marquardt’s “Almost Greener” back in Novemberlast year), and it will appear again in the anthology Time Travel: recent trips, edited by Paula Guran (Prime Books, October 2014). Well done Suzanne, it’s a fantastic story and we’re delighted to see it getting continued exposure!

I’m 98.3% (or thereabouts) done with story selection for Insert Title Here, and there’s been a somewhat interesting development on that front which I’ll be announcing very shortly – stay tuned for that, and (hopefully) a table of contents reveal real soon!

Cranky Ladies of History stories are starting to trickle in, and we’re looking forward to reading about the amazing women our authors are writing about. I’ve peeked at a few of them already, and WOW – can’t wait to read them all!

I’ve seen some new reviews of FableCroft works out and about on Goodreads and Amazon – thanks to those folks who take the time to write about our books!

Right, back to the grindstone! More news soon…

Continuum schedule

c10coverTHI’ll only be at Continuum X on Saturday and Sunday, but it’s going to be a busy couple of days! At this point, I’ll be hanging in the Dealer Room for most of the time during the day, except when enpanelled. And my panels look like this:

4pm Saturday – Book Launch: Guardian

Join the FableCroft Publishing team to officially launch Jo Anderton’s new Veiled Worlds novel, Guardian. Prizes, treats and special launch prices available!

Tehani Wessely, Jo Anderton, Tansy Rayner Roberts

6pm Saturday – Getting Involved In Awards

From Aurealis to Ditmars to Hugos, there are a wide range of Australian and international speculative fiction awards ad almost as many ways to participate in them. Our panellists discuss the awards they’ve participated in, and how you too can get involved.

PRK, Tehani Wessely, Justin Ackroyd, Alex Pierce

10am Sunday – Young Adult – All Grown Up

Is YA fiction just fiction with YA heroes? What is YA, what makes it good, what differentiates it from adult or “new adult” fiction?

Tehani Wessely, Ambelin Kwaymullina, Amie Kaufman, Leonie Rogers, Sue Bursztynski

2pm Sunday – The Crowdfunding Experience

Sites like Kickstarter and Pozible allow ambitious creators to fund projects through small contributions from vast numbers of curious consumers. When it works, it often works spectacularly – but projects can fail just as spectacularly. A look at pros and cons of the crowdfunding business model by creators who have tried it.

Tehani Wessely, Josh Vann, Laura Wilkinson, Ben McKenzie, Paul Nicholas

4pm Sunday – Live Slushpile

Ever wondered how that story got chosen – or rejected? Our panel of editors will read out the openings of a few SF stories complete with realtime analysis, explaining at what point they would decide to keep or dump a story and why. explain why some stories make it through and others don’t.

Cat Sparks, Tehani Wessely, Jack Dann, Sue Bursztynski, Amanda Pillar

5pm Sunday – Punching Above Their Weight: Small Press in Australia

They take chances. They go where no big press dares. They publish new writers and artists and veterans alike. They publish SF, fantasy, horror, humour, YA, children’s books, themed anthologies. Big press publishes FFT – fat fantasy trilogies. How and why can Australia’s vibrant small press do things large ones can’t?

Sue Bursztynski, Paul Collins, Edwina Harvey, Simon Petrie, Tehani Wessely

8pm Sunday – The Awards

Other than all that (more panels than I’ve EVER been on at a convention, I think!) I’ll hoping catch a few friends for dinner and see everyone in the Dealer Room!

Linky goodness!

The award-winning Starship Sofa podcast have worked their podcasty magic on another story from One Small Step – this time, Suzanne J Willis’ story “Number 73 Glad Avenue” has hit the airwaves – take a listen!

Marianne de Pierres’ novel Peacemaker is going to be made into an interactive game! The origins of the Peacemaker series are in the short story “Virgin Jackson”, which was reprinted in FableCroft’s Australis Imaginarium anthology in 2010!

Pozible have posted an interview with us about our Cranky Ladies crowdfunding campaign. Check it out here.

Guardian coverJo Anderton’s forthcoming book Guardian has been sent to the printer! Official launch will take place at Continuum in Melbourne during the June long weekend. It’s not too late to pre-order your copy (ebook or print) for special introductory price and get bonus exclusive Veiled Worlds content!

The voting for NAFF (National Australian Fan Fund) closes TODAY, and I’m running, with my fan hat on! The fund supports an Australian fan to attend the National Science Fiction and Fantasy convention in Australia (this year that’s Continuum), and I’m really looking forward to being able to attend in that capacity, should I be successful! I can hardly ever get to panels when I go to cons, and being there as NAFF delegate would mean I can do the full convention experience — I’ve also got lots of fun ideas for fundraising for NAFF (part of the delegate’s responsibility), which I’m looking forward to. You can find more information here, and once you’ve read about each candidate, if you’ve got $5 to spare for a vote, it would be appreciated (you don’t have to vote for me — the other candidate is also very worthy, or you can vote to hold over funds for the following year).

Speaking of Natcon, if you are a member of Continuum, or were a member of Conflux last year, you have Ditmar Awards voting rights! It’s a great ballot, so please exercise your democratic rights 🙂 We have posted some free fiction and discounts on our nominated books and stories, to help you make an informed choice 🙂

Ditmar shortlistings!

The annual Ditmar Awards shortlists were announced a few days ago, and we’re absolutely over the moon to have several works feature in various categories, alongside lots of other excellent Australian stuff! To celebrate, we’re offering up some free fiction, including our two shortlisted short stories, samples of Faith Mudge’s wonderful work, and an extract from Tansy Rayner Roberts’ Ink Black Magic. We’ve also linked to Kathleen Jennings’ Illustration Friday posts, as one of her pieces was on the cover of Focus 2012 (and we think she’s awesome…). Click on the highlighted links below to download the samples!

InkBlackMagicsmBest Novel

  • Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
  • Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
  • The Beckoning, Paul Collins (Damnation Books)
  • Trucksong, Andrew Macrae (Twelfth Planet Press)
  • The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

  • “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
  • “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
  • “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

OneSmallStepCoverdraftBest Short Story

  • Mah-Song, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
  • “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
  • “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
  • “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
  • “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
  • “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

BoneChimeCoverDraftBest Collected Work

  • The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
  • Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
  • The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
  • The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

  • Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
  • Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
  • Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
  • Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

  • Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
  • Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
  • Grant Watson, for body of work, including reviews in The Angriest
  • Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
  • Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
  • Tansy Rayner Roberts, for body of work, including essays and reviews at http://www.tansyrr.com

Best Fan Artist

  • Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
  • Kathleen Jennings, for body of work, including “Illustration Friday”
  • Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

  • Dark Matter Zine, Nalini Haynes
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
  • The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
  • Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

  • Michelle Goldsmith
  • Zena Shapter
  • Faith Mudge
  • Jo Spurrier
  • Stacey Larner

William Atheling Jr Award for Criticism or Review

  • Reviews in Randomly Yours, Alex, Alexandra Pierce
  • “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
  • Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
  • “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

Voting is now open for the Awards, for anyone who is a member of the 2013 Natcon (Conflux) or this year’s Natcon (Continuum X). Thank you so much to everyone who nominated our work!

Brief FableCroft update

My apologies for the radio silence around these parts since the end of March. It’s been a crazy few weeks, and I haven’t even had a chance to properly celebrate the end of the Cranky Ladies of History campaign (which I will do soon!). A couple of very quick updates:

1. Insert Title Here slush reading is over halfway done, but we’ve had a few delays due to other things getting in the way. Hope to have first round reading finished in the next two weeks. I’m very sorry for those still waiting to hear back from us.

2. Cranky Ladies surveys and early rewards will go out very soon — just need a chance to sit down with the Pozible site and get it sorted! (And again, THANK YOU to our supporters and signal-boosters — I don’t think I can say that enough!).

3. Aurealis Awards! They happened last weekend, and we WON! One Small Step and The Bone Chime Song both received awards, alongside a bunch of other fantastic work. A proper update about that (with photos), also pending.

Thanks for your patience everyone — I’ve had a five day judging conference for the Children’s Book Council of Australia and end of term (day job) kicking my butt, alongside preparation for an interstate move, but hope to be back on the publishing train really soon!

Speaking of book launches…

It seems I’ve managed to neglect to blog about our forthcoming book party in Hobart, Sunday March 9 from 4.30. Celebrating the launch and recent shortlistings of Tansy and Dirk’s novels, and the other FableCroft Aurealis Awards nominations, we will be at The Hobart Bookshop to wine, chat and launch with special guest Lian Tanner! Come along if you’re in Tassie that weekend…

1890436_10202652074879534_690952886_o

DK Mok book launch in Sydney

DK Mok, whose brilliant story “Morning Star” from One Small Step is shortlisted for an Aurealis Award this year, is officially launching her debut novel, The Other Tree (from Spence City), in Sydney next weekend. I was lucky enough to receive an advance review of the book (spoiler: I loved it!) and highly recommend it to you. If you are going to be around the area, why not check out the launch party – I reckon it will be great fun!

Date: 
2-3pm, Sunday 2nd March 2014

Location: 
Lvl 2 Meeting Room, Customs House Library, Sydney

News-2014-Invitation

Cover reveal for Kate Gordon’s new book

Today is apparently all about the covers! Our friend Kate Gordon, who penned a dark little tale for One Small Stepwrites outside the speculative fiction field as well, and her new book, Writing Clementine, is out later this year from Allen & Unwin. Kate has revealed the cover on her blog, and we wanted to share it here too – it’s not spec fic, but Kate is one of ours, and it’s very pretty! For more information about Writing Clementine, visit Kate’s blog!

Clementine

Aurealis Awards shortlists!

AA logoWe’re very excited to see the Aurealis Awards shortlists announced last night! It’s always lovely to see all the marvellous talent on the lists, but it’s particularly nice when some of our own work is there too!

Huge congratulations to Joanne Anderton, Tansy Rayner Roberts, Dirk Flinthart and DK Mok for their individual shortlistings, and to all the contributors to One Small Step and Focus 2012! None of our books are made in a vacuum, and all our writers, artists, designers and proofers play a huge role – thanks to you all!

Congratulations to all the finalists for the 2013 Awards. Look forward to seeing everyone at the ceremony in April!

More information about the shortlists and the Awards ceremony can be found at the website.