On the home stretch for The Art of Being Human!

It’s been an absolute whirlwind three weeks, but it’s hard to believe there’s just over two days left on the campaign! Don’t forget that physical copies of the book will ONLY be available through this campaign! You are able add on extra copies or change your reward level to a multi-copy option (up to three copies) with extra discounting available on multi-book reward levels. Reward levels start at AUD$10.00 for the ebook.

ALL THE ANNOUNCEMENTS

We are thrilled to announce that The Art of Being Human will feature a Foreword by multi award-winning storyteller Angela Slatter, and Introduction by our very own Stephanie Lai!

Based in Brisbane, Angela Slatter‘s short fiction has been featured in publications all over the world, and her collections and novels, many of them adjacent to her intricate “Sourdough” world, are lyrical, dark, and utterly consumable pieces of literature. FableCroft has been fortunate to publish several of Angela’s stories over the years, and we’re so excited that her insights into our theme and the stories in the book will feature in the anthology.

Co-editor of The Art of Being Human, Stephanie Lai, is a painter, occasional writer, and professional climate change activist. Stephanie chaired Continuum, Melbourne’s local SFF con, in 2013, and wants everyone to talk about intersectionality and kyriarchy in SFF. She lives in Melbourne, Australia. In her Introduction to The Art of Being Human, Stephanie considers the juxtaposition of art and grief. She writes about understanding that art doesn’t need grief to be amazing or to reach its audience, but that often art helps us work through our grief, and examines how this anthology is a work of this moment, the different ways we grieve, and the myriad things we celebrate.

A bunch of our truly awesome contributors talked online about the theme and their stories over the past couple of weeks. If you’d like some insight into what the book will be like, take a look!

K G Anderson shares a beautiful reflective piece explaining the inspiration for her story “Pieced Together” https://writerway.com/2022/08/22/the-short-story-from-a-mosaic-workshop/

Joanne Anderton shares a tidbit about the genesis of her story “Birdsong” https://joanneanderton.com/wordpress/2022/08/17/the-art-of-being-human/

Joyce Chng shares a very personal insight into the genesis of her story “The World Has Gone Silent” – https://awolfstale.wordpress.com/2022/08/10/the-year-of-tears-and-the-fight-for-hope/ 

Helen Vivienne Fletcher (and her gorgeous pupper!) shares a video talking about her story “The Library” – https://www.facebook.com/Helenvivienne/videos/506745707791990/ – and reads from her story – super fitting during Book Week! https://www.instagram.com/p/ChlIxZkOBJH/  

Ephiny Gale not only digs into a bit of the inspiration about her story “Neuro”, but shares a sneak peek! – https://ephinygale.com/2022/08/14/neuro-in-the-art-of-being-human-kickstarter-live/

Nikoline Kaiser teases a snippet of her story “A trail of blue paper flowers” on Twitter https://twitter.com/NikolineKaiser/status/1562052357835341825?s=20&t=bz0KB0JJkYmnYHeb-_dGqA

Stephanie Lai offers an insight into the conception of the anthology https://yiduiqie.tumblr.com/post/692691175794262016/the-art-of-being-human

Juliet Marillier shares a snippet of her story “Greatheart” and talks about the power of music and stories to heal and teach – https://www.julietmarillier.com/2022/08/14/bagpipes-a-monster-and-the-power-of-storytelling/

Kirstyn McDermott draws on the impact of capitalism on our capacity for creativity in discussing her story “Seeding Trouble” (and offers another sneak peek!) – https://kirstynmcdermott.com/2022/08/11/the-art-of-being-human-seeding-trouble/

Steve Quinn talks about how wealth inequality helped inspire his story, “The Maiden, the Statistician, and the Architect” – https://www.steve-quinn.net/2022/08/14/the-art-of-being-human-anthology-kickstarter/

Tansy Rayner Roberts has been sprinkling little nuggets of joy all over the internet about her story “Welcome to the Death Trade” – check out her Facebook and Insta feeds!

Kaaron Warren talks about beauty, and loss, and the hope that things can be built anew, in the inspiration for her story “Everything so slow and quiet” https://kaaronwarren.wordpress.com/2022/08/23/the-art-of-being-human-anthology/

And of course, we revealed the stunning cover by Amanda Rainey!

Funding goal achieved!

THE ART OF BEING HUMAN is fully funded in less than 72 hours – what a bunch of legends we have as supporters 😘

We’re not really the types to sit back and relax, though – shoot for the moon, I say! And so, for your delectation, please make welcome … our STRETCH GOALS!

Table of Contents for THE ART OF BEING HUMAN

Image Credit: NASA/JPL/NGA

In 2020, the world was tipped upside down and shaken in ways we could barely have imagined, except perhaps in the post-apocalyptic and dystopic worlds of story. Amidst pandemic illness and death, political machinations and despair, one of the casualties has been, at least in a financial sense, the Arts. Governments across the world have slashed funding, galleries, theatres and entertainment venues have closed amid lockdown restrictions, money is being carefully metered with jobs more uncertain than ever, meaning our creatives across all industries are suffering. And yet, more than ever, we are turning to art to stay sane in lockdown, to keep our spirits up in isolation, and to remind us that despite the hardship, there is beauty in this world. 

To that end, FableCroft is coming out of hiatus in 2021 to publish a brand new original anthology, The Art of Being Human. Co-edited by Tehani Croft and Stephanie Lai, this anthology seeks to remind readers of the hope and beauty of the Arts, and the way our engagement with writing, music, film, theatre, artworks in all media, and craft of all kinds are at the core of our humanity.

It is our very great pleasure to announce the table of contents for The Art of Being Human. We had around 350 submissions equalling well over 1.5 million words from at least 30 countries – I’m pretty sure it’s FableCroft’s biggest submission call ever! We are absolutely delighted with the lineup of stories we have selected, but it was a very difficult task. We could easily have accepted dozens more, so high was the quality of submissions. The stories selected range across the speculative fiction genres, and come to you from all over the world. We can’t wait for you to read them.

So, without further ado, the forthcoming lineup!

Table of Contents

“Pieced together” by K G Anderson  

“Birdsong” by Joanne Anderton  

“The world has gone silent” by Joyce Chng  

“The ocean, the lighthouse keeper and the sunset” by Lee Cope  

“The library” by Helen Vivienne Fletcher  

“The icecutter’s daughter” by Aiki Flinthart

“Neuro” by Ephiny Gale  

“Everyday wonder” by Valerie Hunter  

“A trail of blue paper flowers” by Nikoline Kaiser  

“Spools of silk, shards of stone” by Karin Landelius  

“Drawing blood” by Gerri Leen  

“Greatheart” by Juliet Marillier  

“That feeling when you ask me to dance” by Cara Mast  

“Seeding trouble” by Kirstyn McDermott  

“Among the faded woods” by Faith Mudge  

“Exposure” by Jason Nahrung  

“The light in the attic, the bones in the earth” by Spencer Nitkey  

“The maiden, the statistician, and the architect” by Steve Quinn  

“She is not in heaven” by Rivqa Rafael  

“All dressed up for the death trade” by Tansy Rayner Roberts  

“The mask makers” by Kristi Ross  

“When silence speaks” by Spencer Sekulin  

“Everything so slow and quiet” by Kaaron Warren  

“The poet’s tale” by Suzanne J Willis

We still have a way to go on finalising the book, but keep an eye on our social media for pre-order options and release date!

UPDATE: The Art of Being Human anthology

Nick Youngson (CC BY-SA 3.0)

It’s been a busy few months and while we’ve posted some updates on Facebook and Twitter, I realised we really need to write a news post as well!

We received well over 320 submissions for The Art of Being Human  during the open period, totalling more than 1.5 million words, with stories from at least 30 countries – that one heck of a response! Far more than we anticipated, and it has affected our response time dramatically, I’m afraid.

The editors are steadily working through the submissions, but it is taking us longer than we had planned (with other RealLifeTM stuff also interfering, as it has a tendency to do). We would like to apologise to the creators who have entrusted their work to us, and thank them for their patience. Please bear with us – I sent a “received” response to every submission early on to note submission, and will contact every author regardless of the outcome, so if you haven’t heard from me with an acceptance or rejections, please know we’re still considering your work!

Thank you again to all who submitted – the standard is very high which makes this process both better AND harder! We can’t wait to share our TOC with you though – it’s shaping up to be amazing.

Three weeks until submissions close for THE ART OF BEING HUMAN

Submissions close: December 1, 2020

The world in 2020 has been tipped upside down and shaken in ways we could barely have imagined, except perhaps in the post-apocalyptic and dystopic worlds of story. Amidst pandemic illness and death, political machinations and despair, one of the casualties has been, at least in a financial sense, the Arts. Governments across the world have slashed funding, galleries, theatres and entertainment venues have closed amid lockdown restrictions, money is being carefully metered with jobs more uncertain than ever, meaning our creatives across all industries are suffering. And yet, more than ever, we are turning to art to stay sane in lockdown, to keep our spirits up in isolation, and to remind us that despite the hardship, there is beauty in this world. 

60801main_image_feature_186_jwrfull
Image Credit: NASA/JPL/NGA

To that end, FableCroft is coming out of hiatus in this year of social distancing and staying at home, to call for submissions on a brand new original anthology, The Art of Being Human. Co-edited by Tehani Croft and Stephanie Lai, this anthology seeks to remind readers of the hope and beauty of the Arts, and the way our engagement with writing, music, film, theatre, artworks in all media, and craft of all kinds are at the core of our humanity. We are looking at this through a broad context, seeking work that in some way demonstrates the beauty and hope of humanity through a lens of “the arts” in some form.

Stories should be between 2,000 to 20,000 words long, and not previously published. Poetry of any length is also welcome. Works are invited from all over the world, but must be primarily in the English language.

Stories must contain speculative elements – science fiction, fantasy and horror and their sub-genres are all welcome, but we recommend researching FableCroft’s past projects for an idea of the sort of stories we publish. Generally, no erotica or splatterpunk is desirable. Please query the editor before sending stories outside those limits.

SEE OUR SUBMISSION GUIDELINES FOR MORE INFORMATION.

Submissions OPEN! The Art of Being Human anthology

The world in 2020 has been tipped upside down and shaken in ways we could barely have imagined, except perhaps in the post-apocalyptic and dystopic worlds of story. Amidst pandemic illness and death, political machinations and despair, one of the casualties has been, at least in a financial sense, the Arts. Governments across the world have slashed funding, galleries, theatres and entertainment venues have closed amid lockdown restrictions, money is being carefully metered with jobs more uncertain than ever, meaning our creatives across all industries are suffering. And yet, more than ever, we are turning to art to stay sane in lockdown, to keep our spirits up in isolation, and to remind us that despite the hardship, there is beauty in this world. 

60801main_image_feature_186_jwrfull
Image Credit: NASA/JPL/NGA

To that end, FableCroft is coming out of hiatus in this year of social distancing and staying at home, to call for submissions on a brand new original anthology, The Art of Being Human. Co-edited by Tehani Croft and Stephanie Lai, this anthology seeks to remind readers of the hope and beauty of the Arts, and the way our engagement with writing, music, film, theatre, artworks in all media, and craft of all kinds are at the core of our humanity. We are looking at this through a broad context, seeking work that in some way demonstrates the beauty and hope of humanity through a lens of “the arts” in some form.

Stories should be between 2,000 to 20,000 words long, and not previously published. Poetry of any length is also welcome. Works are invited from all over the world, but must be primarily in the English language.

Stories must contain speculative elements – science fiction, fantasy and horror and their sub-genres are all welcome, but we recommend researching FableCroft’s past projects for an idea of the sort of stories we publish. Generally, no erotica or splatterpunk is desirable. Please query the editor before sending stories outside those limits.

We are seeking original stories only – no reprint submissions please.

No simultaneous submissions please.

For multiple submissions, please query first.

Submission Guidelines:

E-mail to fablecroft@gmail.com as an attached RTF. We do not accept submissions via snail mail.

  • Please use a regular font, size 12, with margins of at least 2cm.
  • Indent the first line of each paragraphs by 0.5 (approx 1cm), 1.5 space lines, and indicate section breaks with a centered “#”.
  • Include name, address, phone number, email etc at the top of the document.

Submissions open: September 1, 2020

Submissions close: December 1, 2020

Anticipated publication date: May 2021

Payment will be AUD$100.00 for stories of up to 10,000 words (payment for poetry and longer stories accepted will be negotiated with the author) and a contributor copy of the ebook. 

We would also like to include artwork to support the stories, and illustrators are invited to send appropriate samples (previously published work welcome for this element) – payment to be discussed. 

NEW ANTHOLOGY IN 2020 – The Art of Being Human

Image Credit: NASA/JPL/NGA

The world in 2020 has been tipped upside down and shaken in ways we could barely have imagined, except perhaps in the post-apocalyptic and dystopic worlds of story. Amidst pandemic illness and death, political machinations and despair, one of the casualties has been, at least in a financial sense, the Arts. Governments across the world have slashed funding, galleries, theatres and entertainment venues have closed amid lockdown restrictions, money is being carefully metered with jobs more uncertain than ever, meaning our creatives across all industries are suffering. And yet, more than ever, we are turning to art to stay sane in lockdown, to keep our spirits up in isolation, and to remind us that despite the hardship, there is beauty in this world. 

To that end, FableCroft is coming out of hiatus in this year of social distancing and staying at home, to call for submissions on a brand new original anthology, The Art of Being Human. Co-edited by Tehani Croft and Stephanie Lai, this anthology seeks to remind readers of the hope and beauty of the Arts, and the way our engagement with writing, music, film, theatre, artworks in all media, and craft of all kinds are at the core of our humanity.

Stories should be between 2,000 to 20,000 words long, and not previously published. Poetry of any length is also welcome. Works are invited from all over the world, but must be primarily in the English language.

Stories must contain speculative elements – science fiction, fantasy and horror and their sub-genres are all welcome, but we recommend researching FableCroft’s past projects for an idea of the sort of stories we publish. Generally, no erotica or splatterpunk is desirable. Please query the editor before sending stories outside those limits.

Submissions open: September 1, 2020

Submissions close: December 1, 2020

Anticipated publication date: May 2021

Payment will be AUD$100.00 for stories of up to 10,000 words (payment for poetry and longer stories accepted will be negotiated with the author) and a contributor copy of the ebook.

I would also like to include artwork to support the stories, and illustrators are invited to send appropriate samples (previously published work welcome for this element) – payment to be discussed. 

Class set price for Worlds Next Door

FableCroft Publishing is pleased to offer a huge discount to schools wishing to purchase class sets of Worlds Next Door, a collection of speculative short fiction stories for 9-13 year olds. Released in 2010, Worlds Next Door features stories from 25 of Australia’s best authors for children, including Jen Banyard, Sue Bursztynski, Paul Collins, Pamela Freeman and Michael Pryor.

Stories from Worlds Next Door have been shortlisted for the Aurealis Awards and the Washington Science Fiction Association’s Small Press Award, and the book has received consistently excellent reviews across Australia. With teaching materials, free story downloads and audio versions available, Worlds Next Door is a valuable addition to any school resources.

If you would like to take the opportunity to purchase a class set of Worlds Next Door, simply email fablecroft@gmail.com with purchase order details (orders received this way will be invoiced, 30 day terms), or, if you have access to Paypal, please feel free to use the button below.

Number of copies
25 $300.00 AUD 30 $320.00 AUD 35 $340.00 AUD

“The Best Dog in the World”, Dirk Flinthart
“A Wizard in Trouble”, Paul Collins
“Graffiti”, Joanne Anderton
“Enid and the Prince”, RJ Astruc
“Disobedience”, Dave Luckett
“The Guardians”, Geoffrey Hugh Miller
“Horror Movie”, Michael Pryor
“The House on Juniper Road”, Felicity Dowker
“Rocket and Sparky”, Edwina Harvey
“Inksucker”, Aidan Doyle
“Mega Wombats and Demon Ducks”, Sue Bursztynski
“Philomena Plaitbinder”, Angela Rega
“Moonchild”, Bren MacDibble
“The New Rat in Town”, Kaaron Warren
“Through the Break”, Jen Banyard
“Nine Times”, Kaia Landelius and Tansy Rayner Roberts
“Sir Pesky Poos-a-lot and the Pony” Thoraiya Dyer
“Old Saint Nick”, Leith Daniel
“Slugs and Snails”, Jenny Blackford
“The Trouble with Fifi”, Launz Burch
“Tabitha”, Rowena Cory Daniells
“Genevieve and the Dragon”, Angela Slatter
“The Nullarbor Wave”, Matthew Chrulew
“Ghost Town”, Pamela Freeman
“Little Arkham”, Martin Livings

Of awards and fun!

It seems that I’ve managed to neglect blogging any of the recent awards announcements. This must be remedied!

1. At Swancon (wow, that was a while ago now!) the Ditmar (national) and Tin Duck (Western Australian) speculative fiction awards were announced. Congratulations to everyone who was on the shortlists and especially to the winners of each category!

FableCroft did have a few shortlistings, and although the competition was tough and we didn’t take home any Ditmars for FableCroft, it was great to be on the ballot in the following categories:

Best Collected WorkWorlds Next Door

Best Professional Artwork – cover of Australis Imaginarium by Shaun Tan

Best Fan Writer – Tehani Wessely

Best Achievement – Snapshot 2010 (which DID win! Well done to the Snapshot team, spearheaded by Kathryn Linge).

Full ballot and winners can be found here. (Photo of the Snapshot team by Sandra/Wing Chung)

The Tin Ducks were also very good to us, with the following works on the ballot:

Best WA Professional Short Written Work – “Little Arkham” by Martin Livings (from Worlds Next Door)

Best WA Professional ProductionAustralis Imaginarium and Worlds Next Door

Best WA Fan Written Work – Tehani Wessely (and I was so delighted – and shocked! – to win this category and take home one of the beautiful trophies).

Best WA Fan Production – Snapshop 2010

Full ballot and worthy winners found here.

That was April! In May we saw the announcement of the Aurealis Awards in Sydney. I was a judge again in 2010 and decided to do a flying visit to Sydney for the awards. I’m really glad I did and it was a wonderful night. Congratulations not only to the nominees and winners but also to SpecFaction NSW, who took on a big job and did it well!

FableCroft had two stories in the Young Adult short story shortlist, “Inksucker” by Aidan Doyle and “Nine Times” by Kaia Landelius and Tansy Rayner Roberts (from Worlds Next Door). Sadly they missed out on the gong but when the winner is Margo Lanagan, it’s a good way to lose! 🙂

Full Aurealis shortlists and judges reports here. (Photo of the Fantasy Short Story judges, Tehani, Simon Petrie and Natalie Maddalena, by Cat Sparks)

There is one more Aussie awards batch yet to come, with the Chronos Awards (the Victorian equivalent of the Tin Ducks) in Melbourne early in June. Shall look forward to more great Australian works being celebrated there!